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What's so special about Australian spirits?


Read time 5 Mins

Posted 04 Apr 2022

By
Patrick Boxall


Here's why Stuart Gregor – the co-founder of Four Pillars Gin – is so proud of Aussie spirits.

Stuart Gregor has worked on the fringes of the alcohol industry for close to 30 years now. It's a journey that's seen him working as a wine judge, publishing books, opening a creative agency and co-founding Four Pillars Gin, which has been recognised – twice – as the world's best gin distillery. He also happens to be president of the Australian Distillers Association, so when we wanted to know exactly what makes Aussie spirits so special, his was the first name that came to mind. Here's what he had to say:
How has the landscape of Australian distilling changed since Four Pillars began?"It was around 2012 when Cam Mackenzie [co-founder of Four Pillars, along with Matt Jones] and I came up with the idea of making gin. We'd been mucking around with wine, but we thought we could give something a little more serious a crack. There were maybe a dozen distilleries making gin when we started and now there are around 250 – that's just distilleries making gin, too."
Why the explosion of craft distillers?

"I'm not sure what the exact catalyst was, but I think I have an idea. If you go back to 2010 – the early phases of the Australian gin boom – there was a liberalisation of licensing laws, which meant a proliferation of small bars; first in Melbourne, then Sydney, then across the country. Small bars meant more interesting cocktails, which meant there was more focus on local craft spirits.

"People started looking around, wondering why Australia wasn't making gin, or rum, or whatever it was. The same applies to the coffee boom – we used to import it from Italy, but nobody stopped to question why we don't just roast it here. For us, we knew that the whisky guys in Tasmania were turning heads, so we figured we should be able to make a gin in the Yarra Valley."

What makes Australia particularly suited to succeed in the spirits world?"When we started, I don't think we realised how much of an advantage Australia actually has, especially when it comes to making something like gin. There are all these unique, native botanicals across the country that don't exist anywhere else in the world. All these indigenous species make for really great gin, whether it's lemon myrtle, Davidson plum, quandong or whatever else. I think we also have great flavour makers in Australia – people who have come through the wine industry, or worked as bartenders. There are bartenders who have been winning international competitions for years, and us distillers are just playing catch up with them."
Have there been any defining moments that put Australian spirits on the global map?

"I think the real renaissance began in the 90s with Lark and the other Tasmanian whisky distilleries, who were building a reputation within Australia. Then, in the 2010s, Sullivan's Cove came onto the world whisky stage by winning some big awards, and that turned plenty of heads. The last five years have seen Australian gins gaining recognition and winning awards across the world, whether it's Four Pillars, Kangaroo Island, Never Never or whoever.

"In regards to Four Pillars, there are two things that stand out for me. The first is our double gold medal in San Francisco in 2014, which we won within six months of existing. We just thought, wow – an American show, which has never heard of us, has awarded our gin their highest honour. The second is when we won International Gin Producers in 2019, then again in 2020. It was a phenomenal moment to win it once, but to do it again? That meant the world to us. I never thought we'd win, so it was a pretty good day."

What opportunities are there for Australian distillers in the future?

"One of the great days for Australian distilling was only recently, in April [2021], when the government gave the industry a tax break. It was announced we'd receive a $350,000 excise fee waiver and that, I think, was an incredible day. It means so much to the small distilleries as now they may be able to make a profit, be a sustainable business, employ locals and improve regional tourism. Unlike wine, you can make spirits anywhere: my favourite rum distillery is in Kununurra, in northern WA, and there's a guy planting agave in Western Queensland to try and make the Australian version of tequila. There's whisky down in Tasmania, and gin being made all over the country, so there's opportunity everywhere.

"There's also a trend of Australians wanting to drink less, but drink better, and that's good for distilleries as people are happy to spend a little more on something that's interesting and of a really high quality. I think there are massive opportunities in export too. Most of our small distilleries haven't had a moment to think about exporting because so many of them are so young. They haven't even existed for five years, so we have an opportunity to build a really strong domestic industry, then share it with the world."